Partituuri

Alkuperäinen

Miserere nostri. Thomas Tallis. A cappella. Sacred , Motet. Language. Latin.

Käännös

Miserere meidän. Thomas Tallis. Cappella. Sacred, Motetti. Kieli. Latin.

Alkuperäinen

Miserere nostri is an astoundingly ingenious canon. Most obvious is the canon between the two top voices. mentioned at the foot of page 1. , which sing the same line throughout but half a bar apart. Meanwhile, however, a different and less audible canon is in progress between four of the five lower voices. all start singing the same melody at the same time but at four different speeds, two of them in inversion. By bar 6, the Second Bass has already sung the whole of the part assigned to the slowest singer, the First Bass. Amazingly, this fiendish process not only works but produces convincing harmonies which sound as if they are the very raison d’être of this understandably short piece. To enjoy them to the maximum, the music should be taken fairly slowly, so as not to skate over the passing dissonances. from the score of CPDL #6605. Original key. F major. Pitch in 16th century England was likely very high and this key is probably closer to the actual performance pitch. This likely earlier work was probably part of a full setting of the Psalm, but this section is all that remains of this setting. It demonstrates surprising rhythmic complexity. Note values and barring have been adjusted for modern notation. It is particularly important in this antiphon to sing through the barlines, allowing the rhythmic and natural accent of the text to guide phrasing.

Käännös

Miserere nostri on hämmästyttävän nerokas kaanon. Ilmeisin on canon kahden alkuun ääniä. mainitsi että jalka sivu 1. , Joka laulaa samaa linjaa koko mutta puoli baari toisistaan. Samaan aikaan kuitenkin erilainen ja vähemmän kuultavissa kaanon on käynnissä välillä neljä viidestä alemman ääniä. kaikki laulamaan sama melodia samaan aikaan, mutta neljällä eri nopeuksilla, joista kaksi inversio. Vuoteen baari 6, toinen Bass on jo laulanut koko osan osoitettu hitain laulaja, First Bass. Hämmästyttävää, tämä pirullinen prosessi ei vain toimii, mutta tuottaa vakuuttavaa harmoniat, jotka äänen ikään kuin ne ovat olemassaolon oikeutus tämän ymmärrettävästi pätkä. Voit nauttia niistä suurimpaan, musiikki tulee ottaa melko hitaasti, jotta ei luistella yli kulkevan dissonansseja. from the score of CPDL #6605. Alkuperäinen avain. F-duuri. Pitch in 16th century England was likely very high and this key is probably closer to the actual performance pitch. This likely earlier work was probably part of a full setting of the Psalm, but this section is all that remains of this setting. It demonstrates surprising rhythmic complexity. Note values and barring have been adjusted for modern notation. It is particularly important in this antiphon to sing through the barlines, allowing the rhythmic and natural accent of the text to guide phrasing.