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Alkuperäinen

Sonata in E flat. Heinrich Ignaz Franz von Biber. Piano and Keyboard sheet music. Violin sheet music.

Käännös

Sonata in E flat. Heinrich Ignaz Franz von Biber. Piano ja näppäimistö nuotit. Viulu nuotteja.

Alkuperäinen

Sonata in E flat composed by Heinrich Ignaz Franz von Biber. 1644-1704. Edited by Gunter Graulich. Arranged by Paul Horn. For violin with scordatura, basso continuo. This edition. Paperbound. Es-Dur. E-flat major. German title. Violinsonate in Es. um 1700. Score and 2 parts. Language. all languages. Composed 1804. 44 pages. Duration 12 minutes. Published by Carus Verlag. CA.1530500. ISBN M-007-09655-7. With Language. all languages. Stylistically, this anonymous sonata for scordatura violin, which has been preserved in the holdings of the Dresden Court Orchestra, points to the southern German-Austrian school of violin, and it shows the high level of the art of violin playing in Germany in the late 17th and early 18th centuries. A contemporary, handwritten note on the cover of the music refers to Heinrich Ignaz Franz Biber and there are actually amazing similarities to works by this composer which would suggest that he indeed composed the work. However, a definitive clarification of this question must remain open.

Käännös

Sonata in E flat composed by Heinrich Ignaz Franz von Biber. 1644-1704. Muokannut Gunter Graulich. Tapahtuman järjestäjä Paul Horn. For violin with scordatura, basso continuo. Tämä painos. Paperbound. Es-Dur. E-duuri. Saksan title. Violinsonate in Es. 1700. Pisteet ja 2 osat. Kieli. kaikki kielet. Kokoonpanossa 1804. 44 sivua. Kesto 12 minuuttia. Julkaistu Carus Verlag. CA.1530500. ISBN M-007-09655-7. Kanssa Kieli. kaikki kielet. Stylistically, this anonymous sonata for scordatura violin, which has been preserved in the holdings of the Dresden Court Orchestra, points to the southern German-Austrian school of violin, and it shows the high level of the art of violin playing in Germany in the late 17th and early 18th centuries. A contemporary, handwritten note on the cover of the music refers to Heinrich Ignaz Franz Biber and there are actually amazing similarities to works by this composer which would suggest that he indeed composed the work. However, a definitive clarification of this question must remain open.