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Le nozze di Figaro KV 492. Wolfgang Amadeus Mozart.

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Figaron häiden KV 492. Wolfgang Amadeus Mozart.

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Le nozze di Figaro KV 492. Die Hochzeit des Figaro. Composed by Wolfgang Amadeus Mozart. 1756-1791. Edited by Kurt Pahlen. This edition. SEM 8007. 6th edition, 2005. Books. Librettos. Operas of the world. Text. libretto. Text language. Italian - German. 345 pages. Duration 180 minutes. Published by Schott Music. SD.49041675. ISBN 9783254080073. With Text language. Italian - German. La folle journee ou La mariage de Figaro' is the title of a stage play by Pierre Augustin Caron, called Beaumarchais, which caused a sensation in Paris at the beginning of the 1780s. In this 'sequel' of 'The Barber of Seville', Beaumarchais zeroed in on numerous deplorable circumstances in absolutist France. Admittedly, Mozart's librettist Lorenzo Da Ponte could not adopt the subject matter for an opera that was to be performed at a house under the control of the Austrian Emperor with all its acerbity, but he managed to write a sparkling libretto which was crested by Mozart's incomparable music. Apart from the libretto, this edition contains introductory commentaries of Kurt Pahlen who also adds information on the compositional structure and context to the musical as well as external and internal dramatic action of the opera. A short synopsis and a brief outline of the genesis bring the work into relation with the composer's entire oeuvre and life, thus offering a comprehensive, richly illustrated introduction.

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Figaron häiden KV 492. Figaron häät. Säveltänyt Wolfgang Amadeus Mozart. 1756-1791. Muokannut Kurt Pahlen. Tämä painos. SEM 8007. 6th edition, 2005. Kirjat. Librettoja. Oopperoiden maailma. Teksti. kirjanen. Tekstin kielen. Italian - German. 345 sivua. Kesto 180 minuuttia. Julkaisemat Schott Music. SD.49041675. ISBN 9783254080073. Tekstin kieli. Italian - German. La folle journee ou La mariage de Figaro' is the title of a stage play by Pierre Augustin Caron, called Beaumarchais, which caused a sensation in Paris at the beginning of the 1780s. In this 'sequel' of 'The Barber of Seville', Beaumarchais zeroed in on numerous deplorable circumstances in absolutist France. Admittedly, Mozart's librettist Lorenzo Da Ponte could not adopt the subject matter for an opera that was to be performed at a house under the control of the Austrian Emperor with all its acerbity, but he managed to write a sparkling libretto which was crested by Mozart's incomparable music. Lukuun ottamatta libretto, tämä painos sisältää johdanto kommentteja Kurt Pahlen joka myös lisää tietoa koostumukseen rakenne ja yhteydessä musikaali sekä ulkoinen ja sisäinen dramaattinen toiminta ooppera. Lyhyt synopsis ja lyhyen katsauksen synty tuo työ tulee suhteessa säveltäjän koko tuotantoon ja elämään, mikä tarjoaa kattavan, runsaasti kuvitettu johdanto.