Scherzo und Marsch, S.177 (Liszt, Franz)

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PDF scanned by Juilliard (color)
Funper (2010/6/15)

Editor First edition
Publisher. Info. Braunschweig: G.M. Meyer, n.d.[1854]. Plate 1164.
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Misc. Notes From the Ruth Dana Collection of Liszt Editions.
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PDF scanned by piupianissimo
piupianissimo (2011/6/23)

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Feldmahler (2006/3/03)

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Funper (2007/3/29)

Editor Emil von Sauer (1862–1942)
Publisher. Info. Klavierwerke, Band 12: Supplement (pp.116-47)
Leipzig: Edition Peters, No.3602d, n.d.[1918]. Plate 9886.
Copyright
Misc. Notes scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
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piupianissimo (2010/2/15)

Editor José Vianna da Motta (1868–1948)
Publisher. Info. Musikalische Werke. Serie II, Band 8 (pp.73-102)
Leipzig: Breitkopf & Härtel, 1924. Plate F.L. 60.
Copyright
Misc. Notes Originally scanned at about 160pi, converted to 600dpi monochrome.
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Ferencziffra (2016/5/18)

Editor Yakov Milstein (1911-1981)
Publisher. Info. Sochineniia dlia fortepiano, Vol.1 (pp.66-97)
Moscow: Muzgiz, 1960. Plate М. 27341 Г.
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This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

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Editor Imre Mező (1932–)
Imre Sulyok (1912–2008)
Publisher. Info. Neue Liszt-Ausgabe, Serie 1, Band 13 (pp.103-27)
Budapest: Editio Musica, 1985. Plate Z.8252.
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This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
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General Information

Work Title Scherzo und Marsch
Alternative. Title Scherzo and March
Composer Liszt, Franz
Opus/Catalogue NumberOp./Cat. No. S.177 ; LW.A174
I-Catalogue NumberI-Cat. No. IFL 434
Movements/SectionsMov'ts/Sec's 2 sections
  1. Scherzo
  2. Marsch
Year/Date of CompositionY/D of Comp. 1851
First Publication. 1854 – Braunschweig: G.M. Meyer
Dedication Theodor Kullak (1818–1882)
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation piano
Related Works 2nd version of Wilde Jagd - Scherzo, S.176a
Extra Information Composed for solo piano, 1851 (= S.177). Published 1854 by Meyer (Brunswick) (Monatsbericht (1854), p.575)